Daniel Smith Extra Fine Watercolor Half Pan - Jane's Grey

Jane’s Grey is a unique color in the market. Most grays, whether Payne’s Gray, Neutral Tint or others, are made with a black pigment, and often phthalo blue is included. Artist Jane Blundell wanted a gray without the often-dulling effect of a black pigment, and without the staining effects of phthalo blue. She wanted a gray that was liftable and granulating to create the lovely look of stormy skies and softened shadows. It will also work as a neutral tint, darkening colors without changing them. Using a gray that is made with palette colors maintains color harmony in an artwork. Many artists mix ultramarine blue and burnt sienna as they work, but no one was making this gorgeous mix as a convenience color, so she did to make it easy to create rich darks with ease.
Brand: DANIEL SMITH
Availability: In stock
€10.30

High-quality Daniel Smith extra fine watercolor in half-pan format.

The extraordinary fineness of color is achieved by the hand-making process in which 3 or 4 stages of pouring are carried out over several months. High concentration of ground pigments that provide great lightfastness to colors.

The range covers an extensive spectrum that goes from historical pigments, natural earth or pigments obtained from minerals extracted in the most diverse corners of the world to quinacridones, based on synthetic pigments.

Jane’s Grey is a unique color in the market. Most grays, whether Payne’s Gray, Neutral Tint or others, are made with a black pigment, and often phthalo blue is included. Artist Jane Blundell wanted a gray without the often-dulling effect of a black pigment, and without the staining effects of phthalo blue. She wanted a gray that was liftable and granulating to create the lovely look of stormy skies and softened shadows. It will also work as a neutral tint, darkening colors without changing them.  Using a gray that is made with palette colors maintains color harmony in an artwork. Many artists mix ultramarine blue and burnt sienna as they work, but no one was making this gorgeous mix as a convenience color, so she did to make it easy to create rich darks with ease. Initially she mixed it in individual pans and palettes but the demand from her students meant she started to make it in tubes. 

A few years ago, Jane asked DANIEL SMITH to make her Jane’s Grey easily available to artists everywhere.  Now available as part of the Signature Series, Jane’s Grey is semi-transparent, granulating, low staining and has excellent lightfastness.

👉 Features:

  • Pigment: PB 29, PBr 7 | Series 2
  • Lightfastness: I – Excellent
  • Transparency: Semi-Transparent
  • Staining: 2-Low Staining
  • Granulation: Granulating

High-quality Daniel Smith extra fine watercolor in half-pan format.

The extraordinary fineness of color is achieved by the hand-making process in which 3 or 4 stages of pouring are carried out over several months. High concentration of ground pigments that provide great lightfastness to colors.

The range covers an extensive spectrum that goes from historical pigments, natural earth or pigments obtained from minerals extracted in the most diverse corners of the world to quinacridones, based on synthetic pigments.

Jane’s Grey is a unique color in the market. Most grays, whether Payne’s Gray, Neutral Tint or others, are made with a black pigment, and often phthalo blue is included. Artist Jane Blundell wanted a gray without the often-dulling effect of a black pigment, and without the staining effects of phthalo blue. She wanted a gray that was liftable and granulating to create the lovely look of stormy skies and softened shadows. It will also work as a neutral tint, darkening colors without changing them.  Using a gray that is made with palette colors maintains color harmony in an artwork. Many artists mix ultramarine blue and burnt sienna as they work, but no one was making this gorgeous mix as a convenience color, so she did to make it easy to create rich darks with ease. Initially she mixed it in individual pans and palettes but the demand from her students meant she started to make it in tubes. 

A few years ago, Jane asked DANIEL SMITH to make her Jane’s Grey easily available to artists everywhere.  Now available as part of the Signature Series, Jane’s Grey is semi-transparent, granulating, low staining and has excellent lightfastness.

👉 Features:

  • Pigment: PB 29, PBr 7 | Series 2
  • Lightfastness: I – Excellent
  • Transparency: Semi-Transparent
  • Staining: 2-Low Staining
  • Granulation: Granulating
Products specifications
Color Grey
Lightfastness Excellent
Transparency Semi-Transparent
Watercolor Granulation Granulating
Binder Gum Arabic
Format Half-Pan
Staining Low Staining