Search

Paper pad by Baohong with 20 sheets of 300gsm, 100% cotton, cold pressed watercolor paper.

Exclusive artwork on the covers by Blanca Alvarez.

Paper pad by Baohong with 20 sheets of 300gsm, 100% cotton, cold pressed watercolor paper.

Exclusive artwork on the covers by Blanca Alvarez.

Paper pad by Baohong with 20 sheets of 300gsm, 100% cotton, hot pressed watercolor paper.

Exclusive artwork on the covers by Berta Llonch.

10 sheets of 300gsm, 100% cotton, cold pressed watercolor paper by Baohong. Ideal for water-based media including watercolor, tempera, acrylic, ink, gouache, printmaking and more.

10 sheets of 300gsm, 100% cotton, hot pressed watercolor paper by Baohong. Ideal for water-based media including watercolor, tempera, acrylic, ink, gouache, printmaking and more.

Eight sheets of top quality professional 60% Cotton Fabriano paper of 300gsm with a smooth vellum surface. It performs equally well as 100% rag paper and its lack of an external sizing agent gives it a sumptuously soft surface which makes it ideal as a luxurious, upscale drawing paper. It is also acid-free & chlorine free.

Eight sheets of top quality professional 60% Cotton Fabriano paper of 300gsm with a smooth vellum surface. It performs equally well as 100% rag paper and its lack of an external sizing agent gives it a sumptuously soft surface which makes it ideal as a luxurious, upscale drawing paper. It is also acid-free & chlorine free.

Eight sheets of top quality professional 60% Cotton Fabriano paper of 300gsm with a smooth vellum surface. It performs equally well as 100% rag paper and its lack of an external sizing agent gives it a sumptuously soft surface which makes it ideal as a luxurious, upscale drawing paper. It is also acid-free & chlorine free.

Very heavy 300gsm neutral white paper pads for mixed media applications including watercolour.

Clairefontaine Paint’ON pads are the perfect mixed media sketchbooks for experimenting with new materials and approaches. The heavyweight surface can take a huge range of wet and dry media, and is tough enough for anything creative you can throw at it - the 250gsm textured paper won’t disintegrate when erasing and is resistant to warping when used with wet techniques.

Clairefontaine Paint’ON pads are the perfect mixed media sketchbooks for experimenting with new materials and approaches. The heavyweight surface can take a huge range of wet and dry media, and is tough enough for anything creative you can throw at it - the 250gsm textured paper won’t disintegrate when erasing and is resistant to warping when used with wet techniques.

Clairefontaine Paint’ON pads are the perfect mixed media sketchbooks for experimenting with new materials and approaches. The heavyweight surface can take a huge range of wet and dry media, and is tough enough for anything creative you can throw at it - the 250gsm textured paper won’t disintegrate when erasing and is resistant to warping when used with wet techniques.

Astonishing value and quality at a special price. 40 sheets of Watercolour Paper - Hot pressed mid-texture.

Yupo paper by Couture Creations is an ideal medium if you're looking to experiment and take your watercolor or acrylic painting to the next level!

This paper is a non-porous, acid-free and pH-neutral alternative for artists.

It's also totally synthetic, so it's tree-free and 100% recyclable.

Yupo is waterproof, thus ideal for water-based mediums (alcohol inks, distress oxides, watercolors and more). Its unique non-porous surface means colors will blend and diffuse beautifully, or can even be scratched and wiped clean away. Also perfect for offset printing, silkscreen, debossing, drawing, inking, acrylic painting, and more. The creative possibilities are endless!

The package contains 10 sheets of yupo paper of 200gsm.

Shimmering Watercolor Palette by Crafter's Companion. The palette includes 24 shimmering colors, each packed with shimmer to create a high - shine metallic effect.

Look great on both white and dark surfaces. Can be used on cardstock, paper, walls, and furniture. Ideal for stunning backgrounds or impressive details on your crafts.

Daler-Rowney Aquafine Watercolour Paper is made of 100% virgin wood pulp. This paper is acid-free and calcium carbonate buffered to prevent the deterioration of colour over time. Aquafine Watercolour Paper is ideal for students.

Simply watercolours are affordable, basic colours that can be used to paint on all conventional watercolour surfaces.

The watercolorist Angus McEvan has selected 10 colors from Daniel Smith's range for this special set of 5ml tubes.

Alizarin Crimson is the oldest synthetic deep red-crimson pigment. It is a lake pigment which when applied in strength and kept from the direct sunlight will last for many decades. Alizarin is a treat to paint with, just the sheer joy of the depth and uniqueness of color is invigorating. A beautiful bluish-red pigment from the staining family, Alizarin Crimson is listed on the basic palette of a vast majority of artists. Intense and dark in value, Alizarin Crimson mixes cleanly with most pigments to create dark mixtures and warm neutrals. A combination of Aureolin (Cobalt Yellow) and French Ultramarine with Alizarin renders a surprising range of other colors resembling everything from Burnt Sienna and Umber to Payne’s Gray, while Alizarin Crimson with French Ultramarine creates an intense purple.

DANIEL SMITH has acquired a unique supply of the precious mineral Amazonite from Brazil. It’s a strong pure color that is completely transparent, non-staining and lifts easily for maximum versatility. Gorgeous by itself, Amazonite Genuine is an especially beautiful mixer with reds making gorgeous violets! Natural Amazonite Genuine provides all the magic of the hills and forests of Brazil. This lovely teal shade of feldspar microcline, a precious mineral, was named for the Amazon River and was used in ancient times as war paint by fierce female warriors. In addition, legends state that when you wear a piece of Amazonite you will harmonize your soul and be attuned to the spiritual dimension. Small carvings of Amazonite were tucked into a baby’s bunting to sooth and pacify. A shared piece of this lovely teal mineral was believed to enhance and further unite the union of soul mates.

Oh my goodness – it’s beautiful! exclaimed one of our testers, and it is. Amethyst Genuine is a rich, true purple – it’s almost black in masstone and capable of infinite gradation. Although it is a granulating color, it can also make lovely clear washes with just the barest hint of sparkle from the crushed gemstone.

The transparent non-staining properties of this cool yellow can effectively warm darker hues without affecting their transparency. Landscape artists often rely on Aureolin to successfully glaze their watercolors or as a light wash in underpainting, to add the appearance of sunshine. This pigment quality, along with the ability to lift and to create soft edges, makes Aureolin especially useful to portrait and floral painters as well.

DANIEL SMITH Aussie Red Gold is the rich, golden color of ochre cliffs set aflame at sunset. This brilliant, reddish gold will add glowing light to Autumn leaves, late summer flowers and landscapes. Australian Red Gold is transparent, non-granulating, low staining and performs wonderfully, you will love it on your palette!

This opaque yellow, leaning slight towards green, appears opaque in mass tone, yet lifts cleanly. It is low staining, making it excellent in portrait mixtures for dark flesh tones. Use concentrated to diluted mixtures in florals and field flowers. Its lemon yellow hue works well with purples and all the greens.

Bloodstone is legendary for its mystical, magical and medicinal properties. Sacred to Christians, who believe the dark red drops in this green jasper represent the blood of Christ. Our Bloodstone Genuine is part of our line of superb PrimaTek naturally pigmented watercolors. Its’ intense and velvety aubergine mass tone develops into a warm gray wash that lifts beautifully and provides immediate gratification when it comes to granulation, be it on hot- or cold-pressed paper. Bloodstone mixes very well with each of our more than 240 watercolors and is especially wonderful with transparent RhodoniteGenuine and Quinacridone Burnt Orange.

Spatter or drop a brushload of Buff Titanium into a moist wash and enjoy the pigment displacement, it is especially effective used that way to make clouds in the sky. Unique to DANIEL SMITH, Buff Titanium resembles the ecru shades of sand and antique lace and simulates the porous texture of an eggshell. It is a most welcome neutral, with its’ semi-transparent to opaque, non-staining properties. Pre-mix Buff Titanium with Quinacridone Rose or Perinone Orange for subtle hues and matte surfaces ideal for the velvety petals of your favorite flowers. Mix with Indigo or Van Dyke Brown to create slate-colored shadows and soft feathers. Glaze a dried landscape with a misty, atmospheric mood.

This transparent to semi-transparent, rich earth pigment is a traditional palette staple for many landscape painters. Our Burnt Sienna combines with other hues without a loss of intensity or transparency. Subsequent layers (or glazes) do not sully or stain the other pigments these glazes contact.

A beautiful earthy color, DANIEL SMITH Burnt Sienna Light is redder than our Burnt Sienna, more transparent and slightly less granulating. In very light washes, it makes a good, light flesh tone for portraits, and in darker washes, it is a rich red-brown.

This rich dark brown earth pigment is popular with artists due to its semi- or semi-opaque qualities. It is lightfast, low-staining, and can readily be lifted to vary its value in otherwise dark passages. Warm Burnt Umber with a little Alizarin Crimson or cool it with blue as your subject dictates.

Cadmium Red Medium Hue – A true stop sign red, an essential color for any palette. We’ve done it! Safe, Vibrant Cadmium Hue Watercolors! Our new formulas provide all the density and richness of classic cadmium colors. Our hues are virtually identical in color to their namesakes, but cleaner in mixtures and stronger in tints – you’ll find a little goes a long way. Working properties – staining power, semi-transparency and excellent light fastness – are also nearly identical to those of the low-soluble cadmium colors we previously offered.